(3) Kerr vs. (14) Cain

This matchup in the Ultimate Mystery Writers Bracket pits Philip Kerr's historical mysteries set amidst the Nazi Era, against Chelsea Cain and her modern series set in Portland and highlighted by a brutal, female serial killer (Gretchen Lowell). Is this one that could be deceptively close?

1) Quality of Books - Cain has written four books featuring the same Task Force and serial killer Gretchen Lowell (though she only has a main role in 3 of them). How do her books stack up?
Very Good: Heartsick
Good: Sweetheart, Evil at Heart, The Night Season
Kerr on the other hand has written eight Bernie Gunther novels which break down thusly:
Great: The One from the Other, A Quiet Flame
Very Good: Prague Fatale, The Pale Criminal, A German Requeim, If the Dead Rise Not
Good: March Violets
Okay: Field Gray
Kerr takes this one due to his two great books which are stronger than anything Cain has written. It should be noted though that Kerr wrote one book which landed in the "okay" catagory while Cain did not. However, Kerr has writen two great books and another (Prague Fatale) that I debated putting in that catagory.
Advantage: Kerr

2) Great Characters - Cain has based her series around the twin pillars of haunted Detective Archie Sheridan and serial killer Gretchen Lowell. The two have a twisted history that involves Sheridan leading a task force to track down a serial killer, all the while cheating on his wife with Lowell...who was inserting herself into the investigation and manipulating Sheridan all along. Then she tried to kill him...it gets pretty twisted from here on. Suffice it to say that Sheridan is fighting a serious vicodin addiction and Lowell is still pulling strings from prison (and outside). The true star of Cain's lineup is Gretchen Lowell. Her gutsy and twisted female serial killer is a psycho without remorse who could teach other literary serial killers a thing or two. She is one manipulative and seriously messed up lady who cannot be trusted at all.
Kerr however has upped her in the creation of Bernie Gunther, a man whose life traces the rise and fall of the Third Reich. Gunther despises the Nazi's but has the morals of a pirate. He kills without remorse and shows us that in order to survive one of the darkest periods in history, he has to occasionally be even worse than some of the most reviled figures in history. From Argentina to Germany and back again, Gunther is a private detective unparalled in mystery fiction. His wit and intelligence (as well as horrible actions) make him a fantastic antihero. He is a brutal man with a soft spot from the ladies and no qualms about doing whatever he has to in order to survive all the while condemning all the misdeeds of those around him.
Lowell may be a genuine original in mystery fiction; but Gunther is one of the greatest fictious creations in literary history.
Advantage: Kerr

3) Style / Inner Workings / Readability - Cain's books are seize you by the throat page turners that often have shocking twists at the end (usually related to the Archie Sheridan / Gretchen Lowell dynamic). These are not books which are slowly savoured but must rather be devoured as quickly as possible. Each of them has been an enjoyable read and Cain's breezy style and psychological twistiness makes each book an entertaining experience. She gets into the heads of her characters and writes as steamily as she can. Overall, these are good but not great books.
Kerr relies on dense plots, packed with conspiracies and mystery. Each book ends with a jaw dropping twist and the novels are so taut and well written that you simply never want them to end. Gunther is always quick with a witty reply and is a witness to the horrible decadence of the Nazi's. His interactions with real, high ranking Nazi's feel real and Kerr never falls into cliche due to the fact that each book is slightly different. Even eight books in, Kerr avoids the trap of routine as he jumps through time (often contrasting past and present) and has so thoroughly complicated matters that it is virtually impossible to read the books "in order" (for example the most recent book Prague Fatale is the only to take part exclusively during the war, a time frame Kerr previously excluded). Kerr began the series as a simple trilogy set before and after World War Two, but seventeen years later he reached back and wrote the best book of the series The One From the Other set in Munich in 1949. No two books are ever the same - he keeps the series fresh, even when it does not quite work out (Field Grey being the best example; it simply jumps around too much and gets muddled). The latest has two chapters which cover 200 pages and function as a book within the book, a one take play set around a murder mystery at Reinhard Heydrich's country house. Few other writers are good enough to pull this off. Truly this makes Kerr special and very deserving of the 3 seed.
Cain's books are breezy but Kerr's are staggering.
Advantage: Kerr

Kerr handily defeats the younger Cain who has many more books to write about her characters. She can be cheered however by the fact that I would pit Kerr's eight book run against any other mystery series and be confident it could come out on top in almost any situation...or can it?

Best Characters Part I

Great books are usually a solid combination of plot and character. Thus, I feel it is important for me to lay out some of the greatest characters in fiction.

1) Bubba - Dennis Lehane
Why: Lehane has created some solid secondary characters but he topped himself with Bubba who defies any conventional labels. He is (among other things) a psychopathic gun dealer who kills without conscience and whose apartment is rigged with landmines. Whew. A charmer you would love to bring home to mom...and he is one of the good guys?! Bubba only loves two people, Patrick Kenzie and Angie Gennaro, and helps them in Lehane's early books. Bubba may not be a star but he certainly leaves and impression and give Lehane credit for not overutilizing the character. He leaves you wanting more Bubba, not sick of him.

2) Dirk Pitt and Al Giordino - Clive Cussler
Why: Why not just one of them? Try picking Redford or Newman - not possible. They are a tag team hell-bent on doing what they believe is right. Naturally they end up saving the world multiple times and killing more bad guys than most small-market dictators. However, they are the epitome of the self-deprecating heroes who never sought the spotlight but made a real difference. They had the best peak (1976 - 1999) of any characters and within that peak the ten year run of Cyclops (1986) - Shock Wave (1996) remains one of the best stretches of thriller fiction in history. Quick with the one liner and endlessly sacrificial, these two had the adventures of a lifetime, thankfully dragging readers alongside.

3) Pete Bondurant - James Ellroy
Why: A pimp, shakedown artist, thug and murderer who ultimately proves he has a heart, Bondurant is one of a kind. He works for Howard Hughes, the CIA, Jimmy Hoffa and the mob and does so with a reckless abandon all his one. Big Pete, haunted by the fact that he murdered his own brother - and did not care!?, is one of the most compelling and morally ambiguous protagonists in modern fiction.

4) Lisbeth Salander - Stieg Larsson
Why: Lisbeth, the heroine of Larsson's Millenium Trilogy is a marvel of character. She is damaged, flawed, peerlessly brave and incredibly intelligent. In an era of strong women in fiction, she may be the strongest. From getting revenge on her rapist to brutally beating a serial killer and going right at evil head on, Salander does not shy away from anything. Thankfully, of course, for the reader.

5) Bernie Gunther - Philip Kerr
Why: Sarcastic, brutal and a complete thug almost as bad as the Nazi's he despises, Bernie is one of a kind. Truly a symbol of justice in the Nazi era (and beyond) he proved just how terrible a person had to be to survive - and thrive - in that time. The hero of six novels, Bernie is about to make his seventh (and final?) appearence in the fall. Here's hoping he is good as ever.

The Ballad of Bernie Gunther

How is it that Philip Kerr continues to ascend my list of top authors as easily as he does?
He is six books into his watershed Bernie Gunther series with a 7th due in October 2010. The first three books in the series (March Violets, A Pale Criminal, A German Requiem) were written in the late 80's and early 90's and were later collected into a one volume edition titled Berlin Noir. These books were tough, tough noir so hard it made your stomach ache like you had been chewing on broken glass. Kerr's books were so taut and twisty they released slowly like a coiled cobra.
One of the reasons the books were so effective was Kerr's lean and powerful prose which was aided immensely by the historical depth of the Nazi era. Of course it helped that his character, Bernie Gunther is a former German police detective with the morality of a pirate. Gunther gets to witness the Nazi depravity before, during and after the war.
Seventeen years after the trilogy finished, with a solid closure, Kerr resurrected Gunther with a novel (The One From the Other) so unbelievable and perfect that it easily kept pace with the other novels and in some ways expanded and surpassed them. This was Kerr writing retrospectively about the Holocaust and showing a new side of the history of his character during the war (during which he has not set a book).
A year later he put out A Quiet Flame which detailed a piece of history Argentina hopes will be relegated to few memories. The novel was set amid postwar decadence in the South American country and it is a slam bang thriller so well written it made my list of 2009's Best Books.
The sixth book If the Dead Rise Not fills in many of the gaps in Bernie's life and adds a worthy new chapter. Kerr's willingness to experiment with new narrative structures (such as two different time periods) has kept the series from growing stagnant or stale.
This sixth book, more than any other, further characterizes Gunther as a moral quandry. He is a reluctant hero, a man trapped by the flow of a dark piece of history and condemned to a brutal existence. He dishes it out - but has to take a fair amount too. And, he is forced to commit horrific acts that are morally reprehensible but understandable given his contemporaries. Gunther is a hero for his time, when a hero was a dark knight who had to be just as brutal as the Nazi's in order to battle them. More than any other character in noir, Gunther is a man haunted and hunted by his past. He is trapped by the sins of an entire nation but shows time and again how much of a surviver he is, as well as a stunning ability to overcome trouble.
One of the more brilliant twists Kerr devised was forcing his character to leave Germany and move to South America with the people he despised most. For the character it was shattering moment, and continues his Dante-like journey through the stages of hell. Kerr leaves the morality of his character's choices up to the reader and that is why the series is so successful.
It is my theory Kerr has written the seven definitive books on the Nazi era. He has gone far and beyond most histories and gives the reader a true feeling of what Nazi Germany (and Argentina....) were like.